Analogies Old Druidism


Analogies Old Druidism should not be confused with neo-Druidism which is based on another religion. Likewise, we must not let ourselves be "caught up" in a modern political posture which cannot correspond with the ancient and geopolitical vision of the sapling. Today's Gauls are heteroclytes and that's good. Jean Claude Cappelli for example is a neo-druid, not a druid. Because he is a Freemason, therefore profoundly Semitic, he cannot replace a path of nature which was never based on messianism. This one uses the title of druid but should in all honesty claim neo-druidism. No Messianic religion can be confused with that of the Druidist. We understand the etheric energies and if there is a certainty, it is that we are part of a "great machine" which far exceeds the human aspect of things. Magic, miracles are possible but depend on the place and the moment. It is about an understanding of the telluric energies which is found in the arrangement of the circles of stones until in alignments of roads. The tree is a world of roads, it is the middle world, and its foliage is the world above. First, it must be understood that Kernunos, the central god tree is none other than Teutates (the balance of justice) when it is embodied in the terrestrial world. He is married to Nemetona, the goddess of the night and the ocean of the sky, the great mother goddess. That Lug, son of Kernunos is the god who dwells in the kingdom of the waters of time on the middle world. He is similar to Poseidon, his planet is Neptune. He embodies the heavenly divine who fights animal stupidity but Christians have made his opposite by creating Lucifer and his satanic stories. Idealizing Taurus in another form. That Donnotarvos is the god of the dead and of the transmission of the afterlife to the underworld? That Christians have turned into satan. Praying and admiring a totally abominable idol in the crucifixion. That Esus is the god of the journey of life. And the Incarnation of the human who acquired the divine powers by cutting down the tree of the Noble bull, guarantor of future life, physical, and earthly spirituality. These three male gods are the main three. Kernunos also had three daughters. This is Etunia, the principle of virginity. The water carrier visible in the form of the diurnal moon. Epona is the principle of fertility, it is the bearer of fruit. Morgana is the principle of culmination and also of end, it is the black moon. The liana has conquered the world tree. There is a symbolism of the Gallic conquest which has been bequeathed to us on a low relief. It is without a doubt a symbolism of the Gallic mythology of the conquerors. We can see four conquering, divine horsemen, the one in the lead wears the eagle or a falcon (symbols of Tanaris) and is armed with a spear, the second wears a wolf, the third wears bull horns and has also a lance, the fourth wears a headdress like that of the Spartan helmets but he is Gallic. Below these riders is a liana plant and each leaf coincides with the step advancements of the four riders. This vine is a manifest vine. This plant is surrounded by wavy patterns of aquatic type, it is a symbol of the waters of time which move at the same time as the liana which represents the path of conquest in the world tree. This is undoubtedly the representation of the basic story for the conquests of Tanaris. A goddess holds back a man who falls back, letting the four divine horsemen advance. It must be Belisama, the virgin of thorns who only lets the divine through, retaining animality. Below these motifs are represented the Gallic infantrymen, these are armed with spears and shields, according to their position, I deduce that the symbolism of the Gallic bas-reliefs is a type of writing, and that this one cannot be read not from left to right, although it begins like this, nor indeed from right to left, but in Zigzags. So the sacred Gallic symbolism of the bas reliefs can be read from top to bottom and in zigzag, like the liana which invades the tree of the roads of the ancient world. Many patterns have been left to us on the pottery. It is important to specify for the druids who will not know it already, that each leaf which grows, coincides with a determined time. It is very important to remember that in Gallic Druidism, each plant that grows is synonymous with a story that is created. I would like to remind you that 4 riders wearing different badges are the representativeness in 4 times of the life or history of a single man or god. In fact there really is a Gallic engraving older than Christianity which shows these 4 riders, 3 of them bear anima insignia.ux, the last one wears the hairstyle of the chiefs, maturity. (it is like the 4 Christian Gospels relating the history in 4 stages of the divinity Jesus, gospels which were written according to the fundamental precepts of the Gallic Druids, on the model of the growth of the vine). This way of writing is what we call: "the four truths". Druidism and Zoroastrianism. But in fact I believe that the knowledge of the old druids has served other cultures as well. The Galilee, which is the cradle of the Islamic religion artistically speaking, conceals in its depths tombs of Nordic origin, they were already seen before they were buried, by several people, they bear runic marks! Gaul, Galatia, Galilee? A tribe called "the Apatres" if I remember correctly invaded Iranian territory, before the Christian era, and founded a culture called Zoroastrianism, of a philosopher called Zoroaster. It was this culture that gave rise to the later Islamic arts. Genetics have proven that the Arabs had European ancestors, perhaps they will recognize their Druidic origins one day. On the coins found from the Apatres, we can easily see the similarities with the Gallic coins. For example, there are what are called pearl necklaces, these represent full moons set in necklaces, a temporal cult. So does the Islamic arts have any Gallic cultural roots? Why not, the similarities are striking. On the other hand but in a related way, I notice that the Drus, Arabizing tribes of Galilee, bear the same name as the Druids in Antiquity. Druas, in western Gaul. Druidism and Hinduism. Some researchers find the origin of Druidism through an Indhu lineage, I'm sorry but Druidism is in direct relation with the temples of Kernunos, stone circles which were built even before the arrival of the Celts. Druidism then became celtic. That is to say that it would be the European culture of 1500 BC. and earlier which would have brought other civilizations to this protohistoric culture of European, Mediterranean and Persian philosophy. This through the cult of time. It should not be forgotten that some circles and burials also elsewhere, date at least 6500 years. Druidism and Mithraism. On an ancient representation of Mithras, we can see a dog, a snake, a warrior attacking a bull while on the gundestrup vase, we see a warrior and a dog attacking the bull, the serpent being part of another side of the vase. On a Gallic stone engraving also affiliated with Kernunos we see a warrior walking on a snake which attacks the bull. There are two different faces of the Druidic cult, of which a more northern one is close to the Christian. 1st a warrior-god attacks the bull which represents bestiality. 2nd a divine warrior attacks the bull as a representative of the dark, temporal period, or as an evolution of the animality that attacks the Donnotarvos representing death and spirituality (close to early Christian), Esus was also a deity who slaughtered the tree of the animal bull and thus turned into a god. It's always the same philosophy anyway even if the characters change roles .... we sacrifice the bull master of physical life after death to embody the human divinity, stronger than that (supposedly). Pyramids around the world All around the planet are pyramids built by many cultures, all of which have four sides and represent four phases of life, birth, youth, maturity and death. All have the philosophical bases of Druidism of 6000 years ago. We know that a so-called Atlantean sea people have sown their cultural sciences all over the world. They had left Europe. All these cultures show two twins with antagonistic characters called animality and spirituality. Druidism and Nordic Viking culture. There it appears that Lug who among the Gauls is a divine warrior who fights the animality of basely physical life is transformed into Loki, cantor of the animality who wants to conquer the kingdom of Odin the divine. It is Thor, Taranis who defends the divine kingdom, it is compatible with the Gallic cult, when to Odin he who is the Donnotarvos among the Gallic, he is the great god who reigns over the celestial, while among the Gallic he is the god of the transmission of the physical life after death, which the celestial, solar warrior fights, is a belief in the conquest of eternity. Druidic worship and Greek worship. Greek mythology systematically refers to historical elements, translating them into legends. According to her, Zeus dethroned Chronos. Among the Gauls, indeed, Esus-Zeus is a symbol of rebirth, asIsis. The cult of Kernunos-chronos predates Greek legends, and this peninsula undoubtedly practiced Gallic worship before it passed to a modernized mythology. Druidism and Japanese worship. I still have to dig things into it, but I know that the Japanese bonsai culture is completely similar to the culture of the Kernunos spirit tree. Indeed, the size and the work of these micro-trees belong to the same spiritual world as the worship and the maintenance of the Gallic branched spirit. Which is much earlier than it. Druidism and Christians I have already written things on the Christian-Druidist links, I would only clarify here certain analogies. 1: Lug was afflicted with the denomination of "lucifer". 2: The Donnotarvos has been confused with "satan", which is of Persian descent from its very beginnings. 3: Bélénos was confused with Baal, also of Persian origin. Of which it is true that the two cults, Persia and Gauls, are close. It was the Romans who turned him into a demonic monster. Handling leaves all of this.